
Hungry Hearts
Anzia Yezierska
In stories that draw heavily on her own life, Anzia Yezierska portrays the immigrant's struggle to become a "real" American, in such stories as "Yekl," "Hunger," "The Fat of the Land," and "How I Found America." Set mostly in New York's Lower East Side, the stories brilliantly evoke the oppressive atmosphere of crowded streets and shabby tenements and lay bare the despair of families trapped in unspeakable poverty, working at demeaning jobs, and coping with the barely hidden prejudices of their new land.
About the Author
Anzia Yezierska (c. 1880–1970) was a Polish-born Jewish American writer whose fiction gave voice to the struggles and aspirations of immigrant women on New York’s Lower East Side. Born in a small village in Russian-controlled Poland, she emigrated with her family to the United States in the 1890s, where they settled into the crowded tenements of Manhattan. As a girl she worked in sweatshops and as a domestic servant while teaching herself English and pursuing an education, eventually earning a scholarship to Columbia University’s Teachers College.
Yezierska turned to writing in her thirties, drawing directly on her own experience of poverty, family tension, and the hunger to belong. Her breakthrough came with the story collection Hungry Hearts (1920), which attracted Hollywood’s attention and was adapted into a film, making her briefly one of the most celebrated immigrant authors in America.
Her best-known novel, Bread Givers (1925), follows Sara Smolinsky, a young woman determined to carve out an independent life in defiance of her tyrannical, Torah-obsessed father. Part coming-of-age story and part immigrant epic, the book explores the conflict between Old World tradition and New World ambition, and the cost of self-determination for women. Though it faded from view for decades, its rediscovery in the 1970s helped establish Yezierska as an important voice in American literature and feminist scholarship.
Her other works include Salome of the Tenements (1923), Arrogant Beggar (1927), and the autobiographical Red Ribbon on a White Horse (1950). She continued writing into her later years and died in 1970 in California. Today, her work is widely read and taught for its unflinching, passionate portrait of the immigrant experience.































































