The Magic Barrel
Stories
Bernard Malamud
WINNER OF THE NATIONAL BOOK AWARD FOR FICTION
"Every one of [the stories] is a small, highly individualized work of art." —The Chicago Tribune
Bernard Malamud's first book of short stories, The Magic Barrel, has been recognized as a classic from the time it was published in 1959. The stories are set in New York and in Italy, where Malamud's alter ego, the struggling New York Jewish Painter Arthur Fidelman, roams amid the ruins of old Europe in search of his artistic patrimony. The stories tell of egg candlers and shoemakers, matchmakers, and rabbis, in a voice that blends vigorous urban realism, Yiddish idiom, and literary inventiveness.
A high point in the history of the modern American short story, The Magic Barrel is a fiction collection which, at its heart, is about the immigrant experience. Few books of any kind have managed to depict struggle and frustration and heartbreak with such delight, or such artistry.
"Malamud possesses a gift for characterization that is often breathtaking. . . [His] fiction bubbles with life." —New York Times
“In the short story, Malamud achieved an almost psalmlike compression. He has been called the Jewish Hawthorne, but he might just as well be thought a Jewish Chopin, a prose composer of preludes and noctures.” —Mark Shechner, Partisan Review
“There are thirteen stories in The Magic Barrel and every one of them is a small, highly individualized work of art. This is the kind of book that calls for not admiration but gratitude.” —Richard Sullivan, The Chicago Tribune
About the Author
Bernard Malamud (1914–1986) was an American novelist and short story writer celebrated for his richly moral fiction and his exploration of Jewish American life. Born in Brooklyn to Russian immigrant parents who ran a small grocery store, Malamud drew on that working-class, immigrant milieu throughout his career, even when his stories ventured into other settings and subjects.
He first gained wide acclaim with The Natural (1952), a mythic baseball novel later adapted into the popular 1984 film starring Robert Redford. His reputation was cemented with The Assistant (1957) and the story collection The Magic Barrel (1958), which won the National Book Award. In 1967, his novel The Fixer, based on the real-life case of a Jewish man falsely accused of ritual murder in czarist Russia, won both the Pulitzer Prize for Fiction and a second National Book Award.
Alongside Saul Bellow and Philip Roth, Malamud is often regarded as one of the great voices of 20th-century Jewish American literature, known for blending realism with fable-like, allegorical touches and a deep concern with suffering, guilt, and redemption. He taught for many years at Bennington College in Vermont and continued writing until his death in 1986.