The Natural
A Novel
Bernard Malamud
The Natural, Bernard Malamud's first novel, published in 1952, is also the first—and some would say still the best—novel ever written about baseball. In it Malamud, usually appreciated for his unerring portrayals of postwar Jewish life, took on very different material—the story of a superbly gifted "natural" at play in the fields of the old daylight baseball era—and invested it with the hardscrabble poetry, at once grand and altogether believable, that runs through all his best work.
Four decades later, Alfred Kazin's comment still holds true: "Malamud has done something which—now that he has done it!—looks as if we have been waiting for it all our lives. He has really raised the whole passion and craziness and fanaticism of baseball as a popular spectacle to its ordained place in mythology."
“A brilliant and unusually fine novel.” —The New York Times
“A preposterously readable story about life.” —Time
“Malamud [holds a] high and honored place among contemporary American writers.” —Washington Post Book World
“The finest novel about baseball since Ring Lardner left the scene.” —St. Louis Post-Dispatch
About the Author
Bernard Malamud (1914–1986) was an American novelist and short story writer celebrated for his richly moral fiction and his exploration of Jewish American life. Born in Brooklyn to Russian immigrant parents who ran a small grocery store, Malamud drew on that working-class, immigrant milieu throughout his career, even when his stories ventured into other settings and subjects.
He first gained wide acclaim with The Natural (1952), a mythic baseball novel later adapted into the popular 1984 film starring Robert Redford. His reputation was cemented with The Assistant (1957) and the story collection The Magic Barrel (1958), which won the National Book Award. In 1967, his novel The Fixer, based on the real-life case of a Jewish man falsely accused of ritual murder in czarist Russia, won both the Pulitzer Prize for Fiction and a second National Book Award.
Alongside Saul Bellow and Philip Roth, Malamud is often regarded as one of the great voices of 20th-century Jewish American literature, known for blending realism with fable-like, allegorical touches and a deep concern with suffering, guilt, and redemption. He taught for many years at Bennington College in Vermont and continued writing until his death in 1986.