Touch the Water, Touch the Wind

Amos Oz (1939–2018) was among the most widely read Israeli novelists and a central voice in modern Hebrew literature. Born Amos Klausner in Jerusalem to a family of Eastern European Jewish immigrants, he grew up amid the intellectual and political ferment of the last years of British Mandate Palestine. His childhood was shadowed by the suicide of his mother, Fania, when he was twelve, and by the Zionist and European literary culture of his relatives, many of whom were scholars and Revisionist Zionists. At fourteen he broke with his father’s world, changed his surname to Oz, the Hebrew word for “strength,” and moved to Kibbutz Hulda, where he lived for decades, worked in the fields, and taught in the kibbutz school while he wrote.

His fiction returns again and again to the questions at the heart of modern Jewish history: the tension between exile and homecoming, the cost of building a state on the ruins of European Jewry, and the gap between the Zionist dream and its lived reality. My Michael (1968), his international breakthrough, set the pattern with a portrait of a troubled marriage in 1950s Jerusalem, a city of walls, fears, and unspoken histories. Elsewhere, Perhaps and Under This Blazing Light examined kibbutz life, its idealism, and its quiet disillusionments, while Black Box and To Know a Woman explored fractured families and Israeli intimacy.

Oz’s most celebrated work, the memoir A Tale of Love and Darkness (2002), is a sweeping account of his family, the Jerusalem of his youth, the founding of Israel, and the long shadow of European antisemitism. It weaves together the Yiddish, Russian, Polish, and Hebrew worlds that shaped him and has been translated into more than thirty languages. Judas (2014) reimagined the figure of the betrayer in 1959 Jerusalem, probing the Jewish and Christian histories of accusation, loyalty, and dissent. Across his novels, Oz wrote with deep ambivalence and tenderness about Jewish memory, the weight of prophecy, fanaticism, and the possibility of compromise.

A founding supporter of Peace Now and an early advocate of a two-state solution, Oz was also one of Israel’s most prominent public intellectuals, and his essays, such as those collected in How to Cure a Fanatic, carry the same moral concern as his fiction. His honors included the Prix Femina, the Goethe Prize, the Israel Prize, the Prince of Asturias Award for Literature, and the Heinrich Heine Prize. He died in 2018, leaving a body of work that continues to shape how readers around the world understand Israel’s story and the Jewish experience of the twentieth century.